Archive for February, 2010

The Jeffersons (DVD) Review

Friday, February 26th, 2010

Nominated for 13 Emmys and 8 Golden Globes, The Jeffersons was a groundbreaking situation comedy that was not only utterly hilarious, but also explored the controversial social issues of its day. Premiering in mid-season 1975, the show was a spin-off of the #1 hit series All In The Family, where main characters George and Louise were the next-door neighbors of Archie and Edith Bunker. During its nine-season run, The Jeffersons spent all but its last season as a Top 25 Nielsen rated show. One of the first sitcoms to center exclusively around the lives of African-Americans, The Jeffersons most likely featured television’s first interracial married couple in Tom and Helen Willis. It was this fearless attempt to push the boundaries of the status quo that made the show one of the funniest of its time as well as a valuable resource for American race relations…

The Jeffersons follows the lives of George (Sherman Hemsley) and Louise Jefferson (Isabel Sanford), a middle-aged African-American couple who own a string of successful dry cleaning stores. The windfall generated by their business paves the way for George and Louise to “move on up” into an exclusive Park Avenue apartment. The series is made by Hemsley’s portrayal of the stubborn and greedy, yet quite lovable, character of George whose sarcasm and antics are only equaled by the Jeffersons′ quick witted live-in maid Florence (Marla Gibbs). A supporting cast composed of omni-present neighbors Tom (Franklin Cover) and Helen Willis (Roxie Roker), the ever-polite Bentley (Paul Benedict), and a tip-grubbing doorman named Ralph (Ned Wertimer) provide for endless sources of irritation and annoyance for George. Throw in George’s mother (Zara Cully) and her constant insults of Louise, and The Jeffersons becomes one of the best-written humorous shows of its time…

The Jeffersons DVD features a number of hilarious episodes including the series premiere “A Friend in Need” in which the audience meets George and Louise Jefferson as they settle into their brand new Park Avenue apartment. George demands that Louise hire a maid to take care of place, but she refuses because she doesn′t want to be bored. Meanwhile, a new friend of Louise has a hard time believing that George could reach such a level of success without compromising his ethics… Other notable episodes from Season 1 include “Lionel the Playboy” in which the Jeffersons’ son Lionel starts enjoying the fruits of George’s labor and debates dropping out of college, and “Rich Man’s Disease” in which George is diagnosed with an ulcer, prompting Louise to try to keep him from getting upset - a near impossible task…

Below is a list of episodes included on The Jeffersons (Season 1) DVD:

Episode 1 (A Friend in Need) Air Date: 01-18-1975
Episode 2 (George’s Family Tree) Air Date: 01-25-1975
Episode 3 (Louise Feels Useless) Air Date: 02-01-1975
Episode 4 (Lionel the Playboy) Air Date: 02-08-1975
Episode 5 (Mr. Piano Man) Air Date: 02-15-1975
Episode 6 (George’s Skeleton) Air Date: 02-22-1975
Episode 7 (Lionel Cries Uncle) Air Date: 03-01-1975
Episode 8 (Mother Jefferson’s Boyfriend) Air Date: 03-08-1975
Episode 9 (Meet the Press) Air Date: 03-15-1975
Episode 10 (Rich Man’s Disease) Air Date: 03-22-1975
Episode 11 (Former Neighbors) Air Date: 03-29-1975
Episode 12 (Like Father, Like Son?) Air Date: 04-05-1975
Episode 13 (Jenny’s Low) Air Date: 04-12-1975

About the Author

Britt Gillette is author of The DVD Report, a

Soundtrack MP3 - Growing Trend for Music

Friday, February 26th, 2010

The growth of the internet has really revolutionized the way that many industries have to do business. One that came unexpected is for the music industry. We remember the start of the MP3 explosion. Napster was the file sharing service that took MP3’s from being something that was traded underground by hackers and the connected to a massive sharing of music. We of course know the story from there. The usage was so phenomenal that the music industry stepped in. First they shut down Napster and went after other cloned services. When the law only allowed them to go so far with these services then they attacked their fan or customer group.

Turns out though that MP3’s are what people want when it comes to music. They can get the soundtrack they desire quickly and on their computers where their sound equipment is usually hooked up to. Today services like iTunes and Napster are looking to quench this thirst legally.

Free music is not a thing of the past either. You can legally download free music. Many up and coming music artist are exploiting the file sharing networks with their music to promote the songs they sing. Their hope is to take that niche of free music and launch themselves into the profitable music business.

Still the guys at the top of the music industry have experimented with free music networks like Kazaa, Limewire and Bearshare. By releasing half of their songs on these networks or versions that include background noise. This peaks our interest and gets us into the music stores.

Overall soundtracks have seen a trend that is sure to continue into the MP3 music world.

You can get free stuff like iPods and other music devices and accessories at this web site:
FREEBIESSAMPLE.com FREEBIESSAMPLE.com

Poker: Which Cards Should I Play?

Thursday, February 25th, 2010

After you have got your two cards, you need to decide whether you have a chance to get anything with them or not. Whether it’s useful to put more money into this game or not.

Firstly, there are certain cards you should always play (if they are suited): AA, KK, QQ, JJ, AK, AQ, AJ, KQ, KJ

Why these cards?

These cards have the highest possibility to beat others – to get high pairs, full houses, flush or four of a kind possibilities. Of course, you do need to think about how much money you need to put into the game as well. For example, AA is the best pair you could have at all. But even with that pair there’s a chance to lose. So if you have AA, no flop has been dealt yet and someone calls ALL-In, then you need to think first whether you are ready for the risk or not. Yes, you do have a great chance to win this game, but these chances are never 100% sure. What if the other guy is bluffing and he has 10 and 3….but then from the flop he gets two more threes…or 10 and 3. There’s not a big chance for that to happen, but it’s possible and you do need to keep that in mind.

Secondly, there are all the smaller pairs like 22, 33, etc. With these cards you should call only when you’re one of the latest callers or somewhere in the middle. Never call with these cards if you’re the first one to call.

Thirdly, all kinds of suited cards (with a picture on it) like Q5, K6, etc.

And if the cards are suited then also hands like 98s, 97s, 96s,87s, 86s, 85s,76s, 75s,65s, 64s,54s, 53s,43s can be played with, but play these cards only when you’re in the end of the ring, one of the latest callers.

When talking about unsuited cards, then simply put – don’t play with anything smaller than pictures. QJ is okay, Q8 isn’t.

Some other poker pro’s can definitely disagree with me here just a bit, but these are the basics. This is a bit simplified look into it, but it should give you the general idea of what to play with and what not to play with.

Tom Corrier has been playing poker himself for some time now and even if he can’t be considered a total pro, there are definitely some useful hints that you can take advantage of. You can read more from him at Gamblingdudes.com - gamblingdudes.com Profits from online gambling

Ratatouille Movie Review

Thursday, February 25th, 2010

In the new movie Ratatouille, Remy has a problem. As with many who live in France, he has a passion for fine food, and a gift for making it. His keen sense of smell serves him very well as an enthusiastic gourmet, and in his ability to pick just the right combination of ingredients to create magical flavors. And great food is that to him – magic. It has a power that fills him with wonder and awe.

Only problem is, Remy is a rat.

Merde! What’s a rat to do?

His pragmatic father, Django (Brian Dennehy), otherwise unimpressed with Remy’s culinary ambitions, puts his son to work as the family clan’s official rat poison detector. Remy (Patton Oswalt) makes do as best he can, until he is caught pilfering some saffron from a little old lady’s countryside cottage kitchen. The little old lady is not too happy with this, and reacts by spraying her kitchen with shotgun fire.

Chaos ensues, and the rat clan, which had been residing in the attic, is forced to evacuate into the sewers. Remy becomes separated from his family, and eventually finds his way into the heart of Paris. With the help of his imaginary sidekick who has taken the form of his idol, Chef Auguste Gusteau (Brad Garrett), he finds his way into Gusteau’s restaurant.

The restaurant has seen better days. It’s previous owner, Gusteau, died of a broken heart after a vicious review from the powerful food critic Anton Ego (Peter O’Toole) resulted in the loss of one of the restaurant’s 5 stars. The new chef, Skinner (Ian Holm), a pint-sized conniving tyrant with a Napoleon-complex, has not helped it. He is more interested in exploiting Gusteau’s reputation to produce a line of microwavable food products than in restoring the old restaurant’s grandeur.

Remy becomes involved in the restaurant’s fate when he reacts in horror at the sight of the garbage boy, Linguini (Lou Romano), making an inept attempt at spicing up a soup behind the cook’s back. He rescues the soup by adding some choice ingredients of his own, but is discovered. Linguini, realizing that the rat has a talent for cooking that he himself does not possess, takes him in. He and the rat work out a system whereby Remy controls him like a puppeteer, using Linguini’s hair like strings. Thus, a great culinary partnership is born.

Ratatouille is the eighth feature film by Pixar Animation Studios, and will only help to continue to cement the studio’s ever-growing reputation as a creator of technically brilliant and beautiful films that are paired with wonderful storytelling.

Movie-lovers occasionally express the lament that the soul of a movie, the story, often gets sidelined in favor of glitzy, eye-catching computer wizardry. Pixar has proved that you can have it both ways. Its talent for stunning and breathtaking computer imagery has gone hand-in-hand with compelling stories that are packed with heart and moral depth.

Following in this tradition, we are treated to the gorgeous skyline of Paris with its Eiffel Tower, the subtle detail of each scallop and piece of fruit, as well as the great depth of emotion each character shows on their face. The message of believing in yourself, of never giving up your dreams, comes through loud and clear. The importance and strength of family ties, even when those same family members don’t always understand you or your dreams, is also shown.

Foodies will appreciate the respect and reverence given to gourmet cuisine in this film. Throughout the movie, it feels as if the creators are as passionate about great food as Remy is. There is a level of sophistication and knowledge about how a gourmet kitchen works that is impressive, and is an element that will draw grownups to the film along with their kids. And even though those same kids may not quite understand what “sweetbreads” are, it would not surprise me in the least if Ratatouille ends up inspiring another generation of future chefs.

This degree of familiarity with haute cuisine is the result of cooking classes the Ratatouille crew took, as well as their consultation with professional gourmet chefs. Producer Brad Lewis even interned with Thomas Keller, the legendary chef and owner of The French Laundry. It also didn’t hurt that the Sets and Layout Manager, Michael Warch, was a professional chef before working at Pixar and holds a culinary degree.

The sense of authenticity extends into the rhythm of work displayed in Gusteau’s kitchen, which is also filled with some of the characters one might find in Anthony Bourdain’s Kitchen Confidential. There is the Sous-Chef who had been in prison for some mysterious reason (he keeps changing the story) and the tough-as-nails Colette (Jeanene Garofalo), who teaches the hapless Linguini the down-to-earth gritty realities of working in a busy restaurant kitchen.

There are some last caveats for young ones, even though the movie is rated G. Remy is often running for his life and avoiding various deadly implements. There is also a scene of a rat-poison shop that has a grotesque display of dead rats in its window. Despite all this, my 4-year-old daughter was engaged throughout the whole movie, though she did start to cry at an emotional low-point when Remy & Linguini were not getting along.

By the ending credits, the audience was applauding – further evidence of just how special this film was. All in all, this is a grand film fantastique that both adults and young children can enjoy (a rare treat!). You may not be able to take your child to a real gourmet restaurant yet, but you can visit Gusteau’s. Go, see it and enjoy this feast of a movie. Bon appétit!

Carolyn Croyle is the owner of

Angelina of Glastonbury: and the Devil’s Wall (Part V: AD 1147)

Thursday, February 25th, 2010

[Angelina’s Diary AD 1206] “Phillip, my son and Grandpa Pepin, so named after the son of the Great Emperor, Charlemagne—was a great man of tales, and although I know them to be fictitious in some details, they are not all in total matter-of-fact, I know from a piece of information much truth resides in this one. But I will tell you my son, as your Great Grandfather told me, I will tell you a tale of tales, and to be quite honest, I’ve yet to decipher completely what is exactly truth from fiction, but I do have a secret; therefore, you can let me know how you stand on the matter, OK?”

“Ok, mama, as you say,” said Angelina’s oldest son Phillip (six and a half years old).

“It was in the year 1147 [AD], your great grandpa was but 14-years old then, and ran off to join the crusaders to move against the Moor’s. He was part of the 30,000-man force, warriors and knights from Germany, the Anglo-Normans, and the Flemish and of course the Portuguese. The city was being held by 5000-Moors. They had these huge belfry’s [manmade wooded towers that allowed you to be lifted up to the top of a castle’s wall], a number of them, and they all got destroyed by fire-arrows of the Moors, which they cast upon them like fireflies. But in the end, at the end of the skirmish, it was in October of that year—if I recall, they brought down the great walls of the city, due to a new belfry which they had built. They had brought the wall and the Moors to surrender. Thus the new Portuguese King now had a Capital, and your great grandfather was of course in this great battle.”

“But what is so strange about this mama…?” asked Phillip in an anxious manner, wanting more details, more explanations, and more descriptions of the battle.

“Oh, yes, yes, indeed,” said Angelina with a twinkle in her eye, “I see I did leave out a few incidentals, did I not!, ‘Noyllopa’ was her name, I do think she was a female, I could be wrong, but all my instincts tell me it was a she; anyhow, I shall get right to the point (Phillip now engrossed into his mother’s story, eyes as if in a trance waiting for the next sentence).

“She was a morbid creature, green and black, dark red lips, and a long thick next—with big bloodshot eyes, and three hanging fangs, whipped and drooped over her lips; ears large and pointed, and eyebrows stretching back over her brow, and bald head, she was bald as a baby’s behind. A diverse, if not whatsoever creature of some sort, of some demonic sect: deadly looking, so grandpa said, told me.”

Hastily, Phillip got closer to his mother—lest he miss a word or two.

“Yes indeed, he was a cynical looking creature, a misfit if not a demon in disguise. There was no beauty in this creature, but it showed some enthusiasm for grandpa. Surely grandpa thought it wanted something, but war had cornered him in every direction: they were in battle. Every arrow they shot at the Belfry, the creature intercepted by a countermine of movements. He had no fear for even the catapults. Thus he received all the fire arrows from the Moors—at will, but they still got burnt down, and they eventually got destroyed.

“But that day the day of the Siege of Lisbon, grandpa had made a deal with this ghoul of shorts, odd, big eyed creature: she said to grandpa, ‘If I help you win the battle, would you be my prisoner, agree to take me to my home, and stay with me until I die, which will be soon?’ and grandpa agreed to this deal. I mean, things did not look too good that day. And right after the deal was made she started to catch hundreds of arrows quicker than before, as if she could control the situation: putting them out in her mouth. Yes, yes, son—in her mouth, unbelievable, but she did, and this allowed the tower to be saved from the fire arrows; hence, now it could be set against the walls and the soldiers ran up the ladder, into the tower area, and jumped across the gap, onto the great walls of the city, and stopped the storm of the skirmish, and in so doing, turned the tide of the war, the battle for the crusaders, and as we now know, it was won by us; but a deal is a deal, grandpa would say, and he had to make it good.”

“So mother,” asked Phillip, “what was the real deal?”

“Well I guess son, there is always a trick to everything when it comes to such matters, but a Knight, even if he senses it, must make good his promise, otherwise he would have no shame, no blood in his face. Anyhow I shall explain what took place. He had told grandpa she was very old, older than Alfred the Great, should he had still been living, and this creature helped escort the Saxon forces against the Norse intruders back then, back in the 9th century. So I guess she was old indeed. According to this personage, she was left behind by someone from up in the clouds, by the moon or beyond it. It is hard to tell such stories, but it is as grandpa told me. Consequently, he lived in Germania, within one of the towers of the Devil’s Wall. Again I imply, she was found to have fought in many wars, she liked killing, and could not be killed, she was too swift, too fast, too cleaver, compared to those who lived here on earth, and again I’m unsure where exactly she came from, but beyond the Moon, so she told grandpa. So again I say she lived in the old Roman wall tower: in one of them, in Germania. And grandpa followed her to this place. And he expected her to die shortly after. Well, things did not work out like that. The old she goat lived, and after two years grandpa got irritated, and one day, out of the blue, sliced her head off with his mighty sword like one slices bread I suppose, when she was eating dinner.

“Grandpa thought the creature was waiting for him to do it because she was no weakling, and was faster than an arrow, and couldn’t kill herself perhaps and was tired of the lust for war.”

“Mom,” said Phillip, “Grandpa really had some good tales, if only they were true.” Angelina looked at Phillip strangely, and, said “True, so you think it was false, do you?”

“Of course mother, don’t you?” said Phillip. Then Angelina pulled out three long sharp teeth and gave them to Phillip, “Here,” she said, “when I was your age, grandpa gave these teeth to me: they belonged to her: now you can have them, and figure out what is truth and want is not.”

See Dennis’ web site: dennissiluk.tripod.com dennissiluk.tripod.com

Birdman’s Guide To Buying Art Online

Thursday, February 25th, 2010

Some of the reasons for buying art online:

These days you can see just about every style of art there is to be seen online in the comfort of your own home or office. This saves you a tremendous amount of time where you don′t have to go walk around a huge gallery, drive a long distance and end up looking at art that you have no idea who painted it, what materials they used, etc. You′ll be surprised how many people just love art and are not experts on techniques, painters’ names or styles. Another benefit to buying art online is the fact that at most online galleries, you will get a short biography on the artist who painted the piece as well as the and their style & price. What if you have a question that isn′t answered at the online gallery you′re viewing? Well in the real world, sometimes finding someone to help answer your questions can take you a tremendous amount of time & there are even times when you won′t find anyone who can help you at all. When you browse online galleries you generally have the option to email the artist directly and then you can have your answer within minutes- depending on how busy the artist is and when they’re checking their email but that’s still a huge bonus over scouring an entire gallery for someone to help you.

Reasons you have for purchasing art:
I’m sure it seems like the obvious thing but in truth many people overlook this point as their basis for buying art in the first place. You have to know WHY you are purchasing art in order to get the right piece. Think about it for a moment, are you buying a painting for someone you love, for your home, for the office decor or maybe as an investment piece? Or perhaps you want to start collecting artwork from a particular artist to build up a nice collection. Each reason I’ve shown you as well as others you might have in mind require a different outlook when you’re purchasing from the style of art, the subject matter to the most obvious- the price. Not too many people want to spend a few thousand on a painting they’re just going to hang up in their living room or hallway but on the other hand, if you’re wanting your first piece of art for investment reasons, you won’t want to pick up a 5 x 7 picture of a fruit salad in a plastic frame. Also, don’t just consider the piece you’re looking for but also the artist, their reputation as well in determining the price of the piece. Naturally, a very well-known artist who sells a lot of their work and is featured in many showings will charge more for their work than someone who’s just beginning in the art world.

What’s more important? The latest trends or Personal Taste?

Let’s face it, we all fall into this trap at some point in our lives- whether it’s to do with clothes, cars and yes, even art. There are so many people who purchase an art piece simply because the style is popular or the artist is very well-reknowned yet they honestly don′t like the piece they bought at all-they bought it just to be “fashionable”. Well speaking from personal experience and as an artist myself I want to give you a big tip that is too often overlooked but it is the VERY reason you should be buying art in the first place- because you love it!!
Don′t worry about the latest trends in art styles or the popular subject matter for paintings or even how the frame looks that the piece came in. First and foremost before going any further in the purchasing process ask yourself this- ” DO I really like this piece?”, “Does it speak to me?” These are the sorts of questions you need to ask yourself before you even talk to the artist. I will admit it, naturally I want people to purchase my work BUT most importantly I want them to be in love with it, to have it speak to them in some form, have it convey an emotion to them that just cries out “I have to have that painting!!” Unlike a car or a blouse, always go with your personal taste and intuition when purchasing any form of artwork.

What sort of medium should I choose?

As you may well know, art comes in so many forms, I can’t even begin to do them justice here but as a few examples: you have watercolors, oils, acrylics, photographs,digital art, statues, murals, etc. Which style is the most valuable or the most respected? The truth is that the medium the artist used to create their painting means very little in the end buying decision if you′re truly in love with the piece. Take for example, I’m going to a site that sells acrylic paintings and even though I’ve never owned such a painting and never really cared for that medium, I find a piece that speaks to me; it has a beautiful bright and bold tropical rainforest scene with a gorgeous flock of birds in the foreground and I’m just in awe of the craftmanship this artist has used. Would I just say to myself,” Mike, you hate acrylic paintings, don’t waste your money on that″? NO WAY in the world would I be this foolish!! Naturally I’d buy this piece because it spoke to me, it gave me something that transcends the paint used or the surface where it was painted on. This is the sort of mindset you have to get yourself into. There are so many wonderful pieces of art that are being created every day around the entire world in various mediums- from acrylic to digital paintings to 3-D images- what makes any of these styles less important than another? Absolutely nothing but your own taste. If you see a watercolor painting and love it- buy it!! if you see a digital painting that speaks to your soul- buy it!! Do you see where I’m coming from here? If you′re brand new to the art world, let me give you a few definitions of some of the more popular styles:

1. Abstract- This is art where the artist an artist either exaggerates or simplifies the form of the subject to attach emotion or other meaning to it.

2. Art Deco- A form of abstract art, this celebrates technical advances of the 1920’s and 30’s. Art deco paintings have a slick, metallic look, they include jarring angles & use machinery colors.

3. Gouache watercolors- This is a type of watercolor that include white pigments that make them thicker & more opaque than other types of watercolor paintings.

4. Impressionist- This type came into being in the late 19th century and include such well known painters as Monet and Renoir. These painters altered their strokes to approximate the effects of changes in lighting on the subject. Impressionism still remains very popular among artists, collectors & art enthusiasts.

5. Pop- Pop art shows contemporary, common objects in a way that makes a statement about modern culture. You might be familiar with the work of Andy Warhol who painted Campbell’s soup cans- he was a pop artist.

6. Realist- Realism art portrays faithful and realistic depictions of subjects this comes from the idea that any subject is worthy of being painted in and of itself.

7. Surreal- Surrealism, is a very cool approach to art; it features objects that look or act unnaturally or are depicted together unexpectedly; this is similar to a dream.

Written and property of Mike Sexton, owner of Birdman’s Designs
birdmansart.com birdmansart.com
Please check out my site if you’re interested in digital art or if you need work done for your personal or business needs.

Stay Down, Old Abram [Chapters 5 & 6: Returning of the Bones]

Wednesday, February 24th, 2010

Over five thousand people came to see the lynching the following week, they came from every county within 150-miles, and here Jeremiah stood in front of the crowed, stern-still, stoned-faced, flat affect, deep-narrow eyes of black and red—an iris as big as a cows; there he stood on the wooden gallows: yelling to the crowd; –and as he yelled the several closest to the gallows got sprayed purposely with slim and spit from his mouth, dribbling, slobbering all over everyone as he laughed and spoke:

“Get on with it whitey [he shouted], yous keeping mes from having dinner in hell, whts ya problem boy…! [Then he started to swear again at the crowd, obscenities no one had ever heard, the white women held their hands over their children’s ears]. Every white person stood there in shock, as if he was supposed to use his last words, his last moments of life to repent with, and show some kind of remorse, yet he didn’t, not at all, matter of fact, it was dramatically to the contrary. Yes, these brought back some old memories for the group watching Old Abram hanging. A hundred years had pass, but the attitude of the county had not changed.

[Somehow those old memories were started to settle wrongly in the old man’s head, he couldn’t squash them in the corner of his brain anymore, they started to seep out, as he sat back in the rocking chair, grabbing a little white-lightening.]

5.

Back to the Trailer Court

Unhurried now, yet a bit tired from all the excitement Chris looked in his rearview mirror witnessing the old man steadily plowing through the mud to the porch beyond, trying to get to that old rocker, from time to time, checking out the dubious looking sky.

As Chris drove the road steadily, the rot, stink of the flesh and wet bones was on his person, he could smell himself, it was nauseating, and his stomach was turning. He told himself, dead bodies smell, look nasty, have many colors to them, dull brushed colors. It was not a pretty sight by far. The sky was getting even darker as he raced down the lightly paved road: –racing as if the demons themselves were against him for taking the bones, an unblessed treasure, their feast, to look at, how they made man into a beast and had them kill for them. And now Thompson’s car would smell it was no more than a hearse for the moment. Along with the dark clouds, dust was befalling the earth around Chris. A chill went up his spine, now he was questing himself, did he do right? It was not a chill of fear he told himself, rather one of tampering with the sacred remains of another person. Yet it was better to preserve a man’s remains, bring them to a dignified closing, than let them rot like a meal for a vultures on a white man’s farm; his sins were no greater than anyone else’s, he told himself—[for he really didn’t know Old Abram], and much less he presumed than the old man’s, the one with the rocker on the porch.

–As he got closer to town, outside of the city was a cemetery, he entered it through a back road, saw a sign that read, “Cremation,” and parked the car, went inside the one story building, and made arrangements for the body parts [mostly bones, and the skull] to be cremated, and picked out an urn—: one of wood. The cremating cost him $50, which was ten-day pay, and the urn, which was five-day pay. He was making about $127 a month, and that was taxed, with six-dollars a month coming out for bonds. But he figured he’d drink off the other guys for a week and mooches cigarettes off his friends-likewise; what the heck he thought, they did it to him all the time. It was all worth while he told himself, feeling guilty for putting that young black girl, almost a woman, and possible a woman in harms way; this was the least he could do. Plus, it just felt good. He told himself, God puts people in funny situations, and most people go tell someone else to do whatever they think should be done, when it is them who should be doing it, and so he did it. His mother had told him that once; he never forgot it; kind of like telling someone else to take their own inventory, instead of taking yours, which so often people do.

–When Chris returned the car to the trailer court, he explained everything to his friend Thompson, whom simply shook his head, saying:

“Things are quite different around here Chris, you got to stay out of the way of the issues they got down here, you’re going to get yourself killed, and my damn car impounded for being part of this southern charade.”

Then he added,

“But it’s quite noble, I doubt I’d have done something like that, matter of fact, I’d never would have talked to the black girl in the first place, you know, one thing leads to another, just like it’s happening now…” then he gave Chris a pat on the shoulder, kind of man-hug one might say for his daring. After that Chris grabbed a phone book, he remembered Elsa had a diabetes name chain around her wrist, it read, he remembered: ‘Elsa something,’ and quickly thumbed through the ‘location’ section of the phonebook.

“Whitehead—Boston …Boston…Boston… Rebecca Whitehead-Boston,” he said out loud, “it must be Elsa’s relative.”

“There,” he told Thompson, “There she is, Elsa’s last name, it was a funny one, a double one, Whitehead-Boston, got to use your phone please.” At this juncture, Thompson thought Chris just had a baby, he was so excited to have found her identity; then Thompson handed him the phone with a sigh oozing out of his chest and mouth as to not delay Chris’ mission,

“Good luck?”

“Hello,” a female’s voice came over the phone.

“Elsa Boston?” asked Chris “I mean Whitehead,” Chris confused.

“Yes, yes, dhats me, why? [A pause] this is Elsa, why?”

“Hello again, this is, is—I hope you remember me, I’m Chris, and I met you about a month ago [‘Oh…’ came over the other side of the phone—with nervousness to it]; I don’t mean to bother you but… [A pause—‘But what, doan mess wid me again’ replied Elsa].”

She was listening intensively now.

“As I was about to say, I have a gift for you.”

“I’m using my Auntie’s last name and … [she hesitated to fill in the sentence],” she corrected Chris, as if to alert him that she was the right person, but she was not giving him her legal last name, possible for personal reasons. “And what might that be, and howd-ya get my phone number?” she commented a little sarcastically.

“It’s a grief gift, the ashes of your Old Uncle Abram… [Then Chris explained what he had done].”

During the clearing up of events [namely, telling him her story], Elsa was idle, without words, and a few tears were sensed over the phone, which came with a sniffling, a cry, a moan…: thought, Chris with a sense of relief, ‘now she [they] can grieve,–put a closure to it, if that’s what is really needed.’

“Aunty,” Chris heard over the phone, “Uncle Abram…hes-a…hes comon hom I guess.” Then with a pause, as Elsa clarified to her Aunty what was happening, she said—in all the excitement—she had forgotten his name, then abruptly said:

“Is you gona stop over tomorrow?”

“Yes,” replied Christopher Wright, as she thanked him several times.

6.

Returning of the Bones

[Wirily and still a bit tired] Chris woke up early the next morning, it was Saturday, and borrowing Thompson’s car again, he went and picked up the ashes, with the wooden urn [he had ordered], which had a wooden cross and butterfly carved of wood attached to the urn in the front of it; and headed out to find this black-girl’s house.

[Chris had stayed overnight at the trailer court, drinking the night away with Chief, and Thompson, talking about his good deed, and not so good idea to get involved; --but both friends encouraged him to follow through on it, none the less. They all had but two weeks to go to graduation, and it was best to settle this so he could get back to studying for the examination coming up in a week—thus, clearing his mind.]

The Shanties

On the way to the black-girl’s shanty, Chris noticed, as any single GI from the Midwest might have noticed, the strange area he was driving into: strange because it was extraordinary in contrast to the area he had just left, which was quiet visible, immediately when he turned the corner off the main highway, prior to entering the shanty-city; for the most part, now there were no more road signs anywhere to be seen—dirt compacted roads only [in St. Paul, there was nothing so drastic in changes like this, from one extreme to the other], ‘why: where’s the tax money goin,’ he whispered-out loud to the windshield. The shanties were sparsely placed he noticed, some clusters of them here and there, some black kids running after chickens, chasing them down. A man with an ax chopping away at the roots of an old tree, a stump of a tree that is; another someone: somebody—black-lady, collecting eggs inside a chicken-coup he noticed [she was walking on her hands and knees backwards to not allow the chickens to escape in front of her; as he drove down the zigzagging road].

The countryside, to include the outskirts of the city was quite a ragged sight compared to the inner city structure, or the Military Base another world one might say—of itself. It seemed like a version out of one of Steinbeck’s novels, of the Depression time—figured the soldier. Like most country roads, this one was of hard gravel, deeply rutted by trucks and car tires; some old timbers were lying about, erosion beaten, and with the window open, the landscape reeked everywhere, leaving a bad odor to his senses.

[Inquisitively] Chris saw an old man resting [as he drove his car between five to seven miles an hour over the rouged terrain], doing a double take, he almost smiled at him, –the old man was lying peacefully against a huge Cyprus tree, laying against it with a shoe for a pillow –his head pillowed on one of his shoes [an idea he thought that might be useful, ‘…come in handy on some of them long Army marches,’ he told himself, especially when one gets only a fifteen-minute rest after several miles].

In the not too far distance he could hear a train whistle, –couldn’t see the tracks nor the train, but they had to be in back of the shanties somewhere he presupposed, where else, that was where the sound was coming from? The car came to almost a complete stop trying to get around, and drive over the holes and bumps in the soil, trying without breaking the car’s axel, for should he continue this way, he’d surely break something: again, the odor, a different smell to his liking, come through the window, garbage possible. It hadn’t occurred to him, lifestyles were so drastically different, to be precise, poles apart, when everything was so close to the city or Army Base. The only possible conclusion was, wet wood, a cooler atmosphere, less grass and more bare-brown earth, and a graveyard that was being used as a garbage facility; everything uncultivated, long-haired grass everywhere. He concluded the benefits of modern life had not yet brought profit to this section of the county, or for that matter, country. Bad roads, bad schools, bad shanties, and bad health everything was poorly maintained–: no resemblance of a plan. Houses zigzagged all over the place.

The so called Negro settlement was an abandon area for the most part, an area in a process of decay. Yet still, Chris was intoxicated with the idea of bringing back the bones of a black-man to his kin; therefore, he looked every which-way for her, or her shanty. He was now a half mile down the dirt road, and some old Negroes congregated at a corner of the road, they were doing something, playing chess or checkers, he couldn’t make it out, yet he could see the uplifting of one old man’s brow, seeing the whites of his eyes, big eyes: both eyes checking out his bluish-green eyes. He was, or so he noticed, the only white man in this shanty-town.

Revenge or Redemption

It was [thoughts going through his mind: Chris’s] about 104-years in the past when this area was a slave society; where slaves and slavery were frequent subjects, and the white man was still at the forefront of this, a century later, or at least in the eyes of the black man, he had just seen, it seemed to be not much different: that is to say, decades had not washed or cleansed the sins that evidently were committed here, and his bones, the ones he had sitting on the seat beside him, proved just that. Another amazing thought that went through Chris’ head was the display of rich and poor living so close to one another, sometimes a grave apart, or a graveyard apart he wasn’t quite sure how to place it—to measure it, but it didn’t seem to digest quite right.

Now he saw her house, it was standing as she described it, her shanty, like a dog-trot log cabin with planks, and a huge chimney to the side of it that stretched from the ground to over the roof, the chimney looked as if it could have heated up a mansion at one time, and probably did. It looked as if it was built over another foundation [the shanty], and it was held up on short pegs, possible to keep the wiggly creatures away, such as snakes and so forth

what was going on in Chris’ mind, no one really knew, possible not even him, possible only God Himself; but what it seemed like, what it gave the impression of was a poor response, from a poor white boy, a soldier, a white soldier who put aside, or wanted to push aside resentment and revenge for an alternative response called redemption for his race. And so he looked at the bones, and the black girl’s shanty, and proceeded with his forbidden quest.

Returning of the Bones

It was now 9:30 AM, he parked his car at the bottom of the road that led into what looked like a campsite; walking up the incline, he showed up outside of Elsa’s house [shanty], it was in the back of the cemetery, he had found out, as he looked south-east, her house being more north-east. Not all that far from where he was [he noticed] was actually the city. Matter of fact, he noticed the cemetery was used for garbage—as expected—and people’s old car parts, old tires and so forth—yes a junkyard to boot, and some very old graves where about [as he had walked up the dirt road, he had noticed the unfenced in cemetery’s abandonment, and walked through it partially], so old were some of the names, that they were worn down to make the stone only carry a shadow within its surface, and only a few dates remained clearly identifiable.

Her shanty was quite small [as he looked ahead] compared to the houses he was used to seeing in St. Paul, Minnesota, where he was from—the Midwest. There were several houses in a row; actually they all looked rather small, similar to a one car garage back home. There wasn’t much grass around her house either, weeds for the most part, and only dirt roads in and out of there, that lead in and out and around the back of the cemetery, her neighborhood. It was startling for Chris, for not far from there were expensive mansions—with seven bedrooms mansions, four bathrooms in some, and here were almost dugout houses of a century ago—now called shanties. What a difference, what a 360-degree turn about—he pondered.

As Elsa met him at the doorway, as she was expecting to, she took the wooden box from his hands, hugged it for a moment, almost fearful it might drop, it was about a foot tall, and half foot wide, still holding it as if it was a baby, her eyes filled up with tears, and her mouth quivered, her legs seemed to weaken, the grieving process had started Chris told himself, it was marked by pain, and relief, sorry and sadness, but mostly love. The young soldier [Private First Class Wright] looked kind of down on the ground for a moment, almost as if to give her a moment to get herself back together, yet he really didn’t expect or demand that, it was all a new experience for him also. He was trying to figure out what a person says in such a case, and in lack of anything intelligent he babbled:

“I don’t know what to say, but I’m here for you,” she slightly glanced up—and smiled, evidently that was what she needed to hear. He never expected she was that close to him, evidently, he had lived there with them; it seemed that Aunty, or Rebecca Whitehead [Boston] was the sister possible, to Abram: or so Chris deduced. But he left well enough alone, and didn’t pry—said no more—shifting a series of illusions in his head [phantasmagoria] as if he had made the world a little bit better; plus, he knew he was getting too involved, as he was told by his Army friends, which wasn’t wise, and so he concurred with them at this point; for her he felt the previous unfinished grieving (she needed to do), could now be done properly; wherein if not done, possible creating more resentment, for as the old saying goes: ‘Out of sight, out of mind,’ if that was the case, time would tell.

She implied to the young soldier: he now would be handled with respect and dignity. She didn’t ask any questions, it just didn’t matter anymore it seemed, or so her face showed—pale as it was with holding of the ashes—with a little animosity. He was dead and right or wrong would not bring him back, nor would the people who did this atrocity get punished for it: not here on earth anyhow, and if so, she’d probably not hear about it, but she had learned the old saying was true: ‘What goes around, comes around,’ and so the monsters that did this could only expect some kind of ongoing nightmares concerning this matter, knowing everything has a price. For the moment she was just happy to see that there was a proper ending to all this—a closing if you will; something she had not expected. Chris couldn’t see her aunty but he heard her:

“Wes got a jug in de bushes—“she bellowed; there was a long pause, as Elsa held the urn, and Chris stood on one foot suspended over one of the three steps to their home, the other foot on one of the square blocks of cement leading to the steps, his balance—readily available to go up or back at any command. She was trying to be polite, and possible it was all they had to offer—the home made whisky. Then she asked a funny question, or so it seemed to Chris, since this was the first and only meeting they’d ever have, and under such circumstances, she asked:

“Hows it to be a soldier, I mean, is it a good life?”

Said Chris with a stunned look: “I like it, it gives me a roof over my head, three meals a day, a little money, some rank: I hope to get more rank, maybe be a sergeant someday and make more money, and I can go to school on the GI bill while in the Army. I guess you can’t beat that,” smiling.

“Oh,” she murmured.

See Dennis’ web site: dennissiluk.tripod.com dennissiluk.tripod.com

The Sky Falls for American Idol Kevin “Chicken Little” Covais

Wednesday, February 24th, 2010

Kevin Covais, the self proclaimed “nerdy kid″, has been voted off the hit show American Idol. Kevin rocketed to popularity when host Ryan Seacrest pointed out his strong resemblance to Disney’s latest animated character, Chicken Little. Seacrest was also fond of teasing the teen about his newly found sex symbol status.

From the first audition to his swan song, his pure and controlled voice never seemed to match the child’s body that went with it. Judge Simon Cowell repeatedly told the New York teenager that he didn’t have the look to be a star, but America felt differently and managed to keep him in the competition much longer than odds makers expected.

He stirred up a lot of controversy when an anti-Idol website, called Vote For The Worst, encouraged its visitors to vote for Kevin, keeping him in the competition as long as possible just for the fun of seeing him eat up the attention he was getting from fans and the female contestants. The website claims that it has the ability to taint the competition by influencing votes and getting people kicked off the show prematurely, but with Kevin’s departure their claims to power hold very little weight. Fox, the station that carries American Idol, has been very outspoken in its complaints about the website.

This week Kevin chose to sing the song, “When I Fall in Love” and while judges Randy and Paula fell in love with Kevin’s performance, Simon reserved his love only for Kevin. Saying that he liked the boy, he went on to point out that the song choices Kevin was making and his level of talent set him up to find his biggest fan base in the grandmother set. Perhaps Simon was right, and Kevin was voted off the show because his fans are of an age where they just don’t like to put down their knitting needles and power vote.

American Idol is not new to controversy. Remember Corey Clark’s claim of an affair with judge Paula Abdul and Frenchie Davis′ dismissal when topless pictures surfaced. Unforgettable moments were also provided by UC Berkeley’s William Hung’s rendition of Ricky Martin’s “She Bangs″. Hung has gone on to sign a record deal, record three albums, appear in numerous TV shows and commercials, and feature in both documentaries and movies. Not bad for someone who didn’t even make it through auditions.

American Idol is in its fifth season. Past winners include Kelly Clarkson, Ruben Studdard, Fantasia Barrino, and Carrie Underwood.

Salim Jordan is Editor and Publisher of Http://www.MoreThanLinks.com www.MoreThanLinks.com He regulary writes on entertainment. Visit buzz.morethanlinks.com buzz.morethanlinks.com

Clay Bennett Makes Lenny Wilkens Team President

Wednesday, February 24th, 2010

Seattle SuperSonics’ majority owner Clay Bennett bestowed another title on Lenny Wilkens. He is now the president of basketball operations for the Sonics/

Earlier Bennett had announced that he might seriously consider Las Vegas as a potential home for his franchise after the 2007-08 season. However, Jim Kneeland, Bennett’s spokesman, said that Bennett had not had any formal discussions with the officials of Las Vegas.

Washington state’s lawmakers declined to vote during their regular session on a proposal to use taxpayers’ money to help build a new $500 million arena in the Renton, a suburb in Seattle.

Oklahoma City seems to be the most likely future home for the Sonics as Bennett is from there and the city supported the New Orleans Hornets when they relocated there after Hurricane Katrina.

It is still not clear whether Wilkens would remain a part of the organization if the Sonics were to relocate.

As the team president, Wilkens would be filling the openings for general manager and coach. Coach Bob Hill was fired after the Sonics went for 31-51 this season and it was their worst performance since 1985-86. General manager Rick Sund was removed from his position though he is still with the Sonics as a consultant.

Wilkens will also be looking for people to fill the two positions but Bennett and the rest of the owners would have the final say in hiring suitable people.

Wilkens coached the Sonics and helped them win their only NBA title in 1979. He has also played four seasons in Sonics, three as a player cum coach and one season as the head coach from 1977 till 1984-85 season.

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Worry

Wednesday, February 24th, 2010

Worry is a very big problem in many people’s lives. They worry about what clothes to wear, whether they are going to manage to pay rentals, buy food and send kids to school. They worry- what will become of them if they lose their jobs or what would become of their children and wife when they pass on. Worry, worry, worry….WORRY!!

Have you ever had a problem and sat down to worry and overcame it? When you worry you will never find any solutions. However,it is justifiable to worry if you haven’t set your goals for the year. We need to plan otherwise worry will be on our mind day and day out.

Worry is a worthless activity that many people indulge in regardless of their education background. Worry has never solved any problem,it cant solve any problem and never will.
Worry finds its roots in the mind.If your attitude is negative then the end result is a pessimistic view of life and things around you. Most of the things we worry about never even occur.

What causes worry? FEAR - False Evidence Appearing Real

Fear is the biggest reason many people spend time worrying. Many people would like to attempt to do great things but fail because of fear. They worry that if they attempt the thing they fear the most might happen. Have you ever solved a problem by worrying?As matter of fact nothing has ever been solved by worrying. Eighty percent of the things we worry about do not actually occur.
Overcome worry because it is a waste of time and mind power.

Aaron Kamanga
Motivational Speaker, Life Coach, Mentor
Cell:260 966 434287
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